Sound Recording Experience
Sound is undeniably an important part of film. It contributes to our construction of a film universe and sets the tone for any scene. But regardless of it's importance, I don't care for the recording of sound. My dislike of sound recording isn't from this project or the people I grouped with, but the complications that arise with recording sound.
I am not medically diagnosed with hearing impairment, but sound has always been a complicated thing to process for me. Is this level too much? Should I lower it to avoid distortion? Why can I not hear her? These questions arose when I recorded sound at my internship this Summer. I was required to record 3 different subjects with 3 different wireless lavaliere microphones. That means I had 1 H6 sound recording device with 3 different wireless output devices blasting 3 different voices in my head. In that very moment I contemplated if this is how someone with schizophrenia feels like, but more importantly, the experience was traumatizing and I have since been annoyed by sound.
I am not medically diagnosed with hearing impairment, but sound has always been a complicated thing to process for me. Is this level too much? Should I lower it to avoid distortion? Why can I not hear her? These questions arose when I recorded sound at my internship this Summer. I was required to record 3 different subjects with 3 different wireless lavaliere microphones. That means I had 1 H6 sound recording device with 3 different wireless output devices blasting 3 different voices in my head. In that very moment I contemplated if this is how someone with schizophrenia feels like, but more importantly, the experience was traumatizing and I have since been annoyed by sound.
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